

"Would you like to learn lessons with the music of Louis XIV and Degas dancers? A collection of ballet lessons by violins played by international performers"
This is the accompaniment of ballet lessons with piano, which is now commonplace, but its history is still about 100 years. Before the piano emerged as a lesson accompaniment instrument, ballet lessons were accompanied by violin. Its history dates back to the early 17th century, when the famous dancer Louis XIV and the opera dancers depicted in the paintings by Edgar Degas all practiced lessons with violin accompaniment. The CD features international violinist Amandine Beyer as a violinist, along with viola da gamba and guitarists, who were often used as supporting instruments at the time, as well as musician and former dancer Olivier Forres. Under supervision, ballet lessons from the 17th century to the early 20th century are reproduced.
It is composed of a wide repertoire so that it can be used even in modern ballet lessons, although it is a song that was used at the time such as Minuet, Paspier, Gavotte. Not only for lessons, but also for appreciation. Why don't you practice with the sound of the finest stringed instruments while feeling the history of ballet?
Performance: James Band
Amandine Beyer (Violin)
Olivier Foures (Violin)
Nacho Laguna (Guitar, Theorbo)
Baldo Barciela (Viola da Gamba)
Barre | |||
---|---|---|---|
1 | Face à la barre 4/4 large | M. Vivaldi | |
2 | Pliés 3/4 vif | M. Matteis | |
3 | Pliés 3/4 vif | M. Purcell | |
4,5 | Dégagés 2/2 modéré La Pedrina | traditionnel | |
6,7 | Dégagés 4/4 soutenu | M. Vivaldi | |
8 | Jetés 3/8 vif | M. Lambranzi | |
9 | Jetés 3/8 vif | M. Vivaldi | |
10 | Jetés rapides 2/4 preste La Furstemberg | traditionnel | |
11 | Jetés rapides 6/8 preste La Furstemberg | traditionnel | |
12 | Ronds de jambe à terre 12/8 lent | M. Vivaldi | |
13 | Ronds de jambe à terre 3/8 marqué | M. Bélibaste | |
14 | Fondus 4/4 large | M. Vatinelle | |
15 | Fondus 3/4 vif | M. Haendel | |
16 | Frappés 2/4 preste | M. Pla | |
17 | Frappés 2/2 marqué | M. J.S. Bach | |
18 | Ronds de jambe en l’air 3/4 preste | M. Saint-James | |
19 | Ronds de jambe en l’air 3/4 preste | M. Vivaldi | |
20 | Adage 4/4 lent | M. Stratico | |
21 | Adage 3/4 ample | M. Travenol | |
22 | Grands battements 4/4 marqué | traditionnel | |
23 | Grands battements 4/4 vif | M. Quantz | |
24 | Grands battements 3/4 marqué | M. Vivaldi | |
25 | Jambe à la barre 4/4 lent | M. C.P.E. Bach | |
Centre | |||
26 | Dégagés 2/4 vif | M. Vivaldi | |
27 | Jetés 6/4 ample | M. Leclair | |
28 | Pas de bourrée 2/2 ample Bergamasca | traditionnel | |
29 | Pas de bourrée 3/4 ample | M. Purcell | |
30 | Fondus 2/2 ample | M. Torelli | |
31 | Adage 12/8 lent | M. Vivaldi | |
32 | Adage 4/4 lent | M. Vivaldi | |
33 | Grands battements 2/4 preste | M. Tartini | |
34 | Préparation de pirouettes 2/2 marqué | M. J.S.Bach | |
35 | Pirouettes 3/4 vif | M. Saint-James | |
36 | Grandes pirouettes 4/4 marqué | traditionnel | |
37 | Piqués en tournant 2/2 marqué | M.Gallo | |
38 | Changements de pieds 2/4 soutenu | M. Vitali | |
39 | Petite batterie 2/2 vif | M. Rameau | |
40 | Petite batterie 6/8 vif | M. Vitali | |
41 | Demi saut 3/4 ample | traditionnel | |
42 | Demi saut 4/4 soutenu | M. Vivaldi | |
43 | Grand saut 3/4 vif | M. Vivaldi | |
44 | Tours en l'air 2/4 vif Barabano | traditionnel | |
45 | Pointes échappés 2/4 soutenu | M. Veracini | |
46 | Pas de pointe 2/4 vif | M. Vivaldi | |
47 | Manège 2/2 ample | M. Gallo | |
48 | Entrechats 3/4 vif | M. Dall’Abaco | |
49 | Tours à la seconde 2/4 vif | M. Vivaldi | |
50 | Révérence et salut 3/4 soutenu | M. Choude |
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